In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.

Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.

Auteur filmmaker Paul Cox contemplates his own mortality and his life's work as he wits for a life saving liver transplant.

Mr. Brink seems to bring death with him wherever he goes. But can a young boy and his grandfather change this dire situation?

The story of two totally contrasting figures who come together in the most hostile of circumstances, only to form an unlikely bond that will help them both find a way out of their respective troubles. It is a bittersweet comedy about growing up and rediscovering youth in parallel, united by the subconscious desire to seek out the missing elements in their lives.

Bill Moyers tells the story of several hardworking Milwaukee families struggling with low-paying jobs after previous employers downsized their operations. Filmed over a period of five years, these families were first featured in Moyers’s 1992 documentary ‘Minimum Wages: The New Economy.’ FRONTLINE chronicles the families’ emotional and financial strains, their search for better jobs and job retraining, and looks at Milwaukee’s efforts to adapt to an ever-shrinking industrial sector.

当代舞者兼编舞家玛丽娜·谢斯奈（Marine Chesnais）在不使用呼吸装置的情况下在水下进行超凡脱俗的表演。为了筹备一部新作品，她前往留尼汪岛（Réunion Island）与迁徙中的座头鲸一同潜水。这次经历永远改变了她对生命和自然的看法。

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It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

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